An agnostic sex podcaster and a newly single rabbi fall in love, but can their relationship survive their wildly different lives and meddling families?

In a dying Appalachian town, broken souls collide in a Southern Gothic tale of violence, survival, and unlikely kinship.

Director Peter Judson's semifictitious tale opens a revealing window into the indie filmmaking process, capturing the trivialities, aggravations and enthusiasm that go into completing a picture. Using footage from an indie movie set, e-mails constructing a plotline about distributor difficulties and interviews with indie mainstays such as Steve Buscemi and Sam Rockwell, the film provides a riveting look at one producer's rejections and rewards.

Director Peter Judson's semifictitious tale opens a revealing window into the indie filmmaking process, capturing the trivialities, aggravations and enthusiasm that go into completing a picture. Using footage from an indie movie set, e-mails constructing a plotline about distributor difficulties and interviews with indie mainstays such as Steve Buscemi and Sam Rockwell, the film provides a riveting look at one producer's rejections and rewards.

Simon and Robyn are a young married couple whose life is going as planned until a chance run-in with Simon's high school acquaintance sends their world into a tailspin.

Richard is a tormented young man who has a long distance relationship with his girlfriend. One day he decides to surprise her with a visit. Unfortunately he can't afford the plane ticket. But he has a plan.

Among the living beings who like to hide from their owners, today in the first place - a mobile phone. It's easy to find if you have another cell phone. If there is no other - the search can turn into a detective, drama, comedy, absurdity. In order to unravel this detective, not turning it into a drama and smile at the absurd, the hero of the film "Gift" needed one April night and the help of half the village.

When housewife Lynn learns of her terminal cancer she decides that her daughter Amy will not be left with the same sad legacy that she herself was left from her mother.

One can't help wondering whether, some quarter-century ago, Carsten Brandt had the slightest inkling of the epic dimension the project he was then starting to conceive – The Gentle Pain – would take on in the subsequent decades. For it became epic in just about every sense of the word: the film is very long; it tells a multi-layered story characterised as much by its digressions as by its main narrative thread, which concerns a filmmaker’s attempts to make sense of the life of Thorkild Hansen, a Danish traveller/historian/writer internationally probably best known for his non-fiction novel Processen mod Hamsun (1978); and it took a long time to finish – and then sat on a shelf due to legal battles galore. What is now finally revealed is a monument of modern(ist) cinema: a work that as much charts one man’s journey into his soul as a voyage of discovery into another artist’s mind.

A widowed New York City architect and his young daughter take a Christmas vacation and end up in a small mystical town in Colorado where everyone believes in Santa Claus.